'Almost rage bait': Has Euphoria gone from defining Gen Z to dividing them?
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'Almost rage bait': Has Euphoria gone from defining Gen Z to dividing them?Just nowShareSaveAdd as preferred on GoogleYasmin RufoEddy Chen/HBOThe storyline for Cassie, played by Sydney Sweeney, is one of the most controversial in season three Warning: This article contains spoilers for season three of EuphoriaRue is swallowing balls of drugs and smuggling them between America and Mexico. Cassie is making erotic content on OnlyFans to pay for wedding flowers. Nate is losing fingers and toes in blood-soaked revenge scenes and Jules is giving up her artistic career to search for a sugar daddy.If Euphoria once felt like an exaggerated but emotionally resonant portrait of Gen Z adolescence, its latest season has pushed that chaos to near-surreal extremes. And after seven weeks polarising both critics and social media, the series concludes on Monday. Some viewers speculate this will be a relief to its central cast, who they say have "outgrown" the show. In fact, many fans, teens when the show launched in 2019, say they too are ready to move on.Zendaya, Sydney Sweeney and Jacob Elordi, all now major names, star as a group of young people navigating sex, drug addiction, friendship, love and trauma. Season three picks up half a decade after the characters left high school, following them into a far darker and more fractured version of adulthood. When Euphoria first launched, it quickly became one of the defining shows of its generation, but after a five-year break marked by strikes, rewrites and cast departures, it returned to a noticeably more divided response. HBOSome viewers say previous seasons of the show were far more relatable and nuanced - this episode featured Jacob Elordi and Alexa DemieIn December, ahead of the season three launch, showrunner Sam Levinson said "this is our best season yet". The response from critics may not have borne that out (it has a weighted average of 56% on review aggregation site Metacritic), but so far, viewin...



